The senses are considered by Pushkin in the various architectonic-spatial images. It is shown how the poet’s memory is animated them in the exciting episodes of the general history or somebody else’s private destiny with the use of the certain means: from the romantic stamps of his youth to the objective merits and the demerits of the architectonic forms in his maturity. The architectural sphere in Pushkin’s works is shown as the subject domain of the life judgment with the evident expression of the aesthetic and ethical values. The concrete characteristics of scale, style, type and sort of the architectonic spaces, which are concentrated poet’s basic the ideologically powerful positions, are presented.
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